Gottfried Helnwein | AKTUALNOŚCI | Nowości

Austrian born artist Gottfried Helnwein so often finds himself in the eye of the storm, it must feel like home. He is known for highly charged paintings and photographs of suffering children, Nazi themes, and then also magnificent bucolic landscapes. His fans outnumber his detractors, though, and he has won many admirers and collectors both in his adoptive home of Los Angeles, and around the world. Among them, California Governor, Arnold Schwarzenneger, actor Sean Penn, and musician Marilyn Manson, who is a frequent subject.
He identifies strongly with the oppressed, and society's most vulnerable members: children. "When I see how kids grow up , how they are neglected and mistreated , how they get polluted with drugs, junk food, insane television and bad schools, it's terrible, - and dangerous, because they are our future. Children are sacred - we need to protect, support and encourage them." ...

After further examining his work on my computer, I left . . . heart racing several beats faster, fingers tingling. Helnwein reminded me how to feel. It was like the first time I saw a Fellini film or slipped into Tom Ford attire. There was a sense of confidence instilled, a confidence in being human, the confidence to find power through mistake, the confidence to admit to cease yearning for perfection. Rather, redefining perfection to the state of recognizing my humanity, my possibility. ...

PHANTASMAGORIA - The Visions Of Lewis Carroll ...

He was 64. The playwright died Friday after a long struggle with heart troubles. Bauer's 1968 theater piece "Magic Afternoon," is seen as a masterwork in contemporary Austrian drama. Among his numerous works were a novel and scripts for television and radio.
Wolfgang Bauer: "...As long ago as 1963 a fellow-artist and I imagined the horrible future of a free-lance artist. The topic of our discussion was not so much finances as the necessity of letting go and totally abandoning oneself. At the time I had the idea of inventing something like a "fitness training of geniuses". In retrospect I must say that I know very few artists who have persevered in this imaginary training programme. Gottfried Helnwein is one of them." ...

심히 불편한 사진
도대체 이 사진 작가는 어떻게 접하게 되었을까나?
기억이 잘 안난다.
필시 한창 사진에 대해 끄적끄적일 때,무슨 책에서 본 것 같다.
그리고는 인터넷에서 뒤지다가 그의 공식 홈페이지에 가보게 된 것 일테고. 공식 홈페이지
또한 거기서 독일의 음산한 음악을 하는 밴드인 '램스타인'의 앨범 표지 사진을 이 사람이 한 사실을 알게 되었다.
바로 이 사진들이다. 흠..뭔가 섬뜩하지 않는가?
밴드 음악 성격이랑 딱 부합하는 그런 사진들이다. ...

What dominates, however, in a manner I've seldom seen is Helnwein's use of color -- the monochromatic blue of Act 1 even extends to skin color. Herr von Faninal's house is bathed in a rich golden sheen, from the orange glow of Ochs' silly wig to the platinum of the lovely Sophie's almost-there dress. The final act, in a cheap restaurant, is mainly a glaring red, again from Ochs' wig to his skin and the costumes of the huge band of players. The walls of the restaurant are, incidentally, lined with Helnwein's own works, mainly huge photo-realistic portraits of contemporary women. The 200 costumes Helnwein designed for the piece deserve a whole review for themselves this is inventiveness gone wild, a genius concept, and a huge addition to the production. There might be purists in disagreement here, but this would seem to be a "Rosenkavalier" for the ages. ...

Motive wie diese schockieren in der Ausstellung "Beautiful Children". Sei es durch die drastische Darstellung des herrschenden und beherrschten Menschen, durch die Demontage herkömmlicher und gefälliger Bildwelten. "Oder liegt die Ursache für die schockhafte Reaktion nicht im Betrachter selbst?" fragte Dr. Antje Vollmer, Vizepräsidentin des Deutschen Bundestages, die anlässlich der Ausstellungseröffnung am 19. Juni im Schloss Oberhausen sprach. Doch sie war nicht ausschließlich als Politikerin ins Ruhrgebiet gekommen, sondern sprach auch als gute Freundin des Künstlers, den sie vor 20 Jahren kennenlernte. Und so gratulierte sie nicht nur den Ausstellungsmachern, Helnweins Werk in einer so umfangreichen Schau endlich wieder nach Deutschland geholt zu haben. Dr. Vollmer lobte auch das Politische im Schaffen Helnweins, das nicht durch große Reden sondern allein durch das Ausstellen seiner Bilder erzeugt wird. ...

Es klang wie eine Liebeserklärung an die Künste des Gottfried Helnweins, als Antje Vollmer, Vize-Präsidentin des Bundestages, bei der Eröffnung der Ausstellung "Beautiful Children" in der Ludwig-Galerie formulierte: "Es hat lange gedauert, dass er wieder in Deutschland zu sehen ist."
Ein Ereignis, das bei der offiziellen Eröffnung am Sonntag den erwarteten Besucher-Ansturm erzeugte. Trotz brütender Hitze drängten sich Neugierige, Fans und Sympathisanten in einer viel zu kleinen Begrüßungshalle. Fernab der ersten Reihe, zwischen den stehenden Kunst-Anhängern, die den Kampf um die Sitzplätze verloren hatten, verweilte beinahe unbemerkt mancher Promi, wie Fernseh-Talkmaster Alfred Biolek. Ob als Neugieriger, Fan und Sympathisant: Biolek war gekommen, um Helnweins Werke zu sehen. ...

"For me, art is a way to fight back against everything I've experienced: I wanted to respond, but I didn't know how to articulate it. But I could paint it. That medium opened all doors. Certain images can reach so deeply into people's souls.
"And I feel also like a witness to my times - that's my duty, my responsibility." One role of art, he believes, is to "force people to look at things they would rather not look at," an impulse he sees in Goya and Shakespeare. ...

Parte de la importante colección Essl llega al Museo de Arte Moderno para exhibir piezas de 18 artistas austriacos y 12 artistas internacionales, en reciprocidad por la muestra Modernismo mexicano presentada en el museo privado Essl Kunstsammlung en Viena.
El accionismo vienés (Günter Brus y Hermann Nitsch); Arnulf Rainer y Antoni Tápies; La pintura vive (Georg Baselitz, Markus Lüpertz, Siegfried Anzinger, Hubert Scheibl, Herbert Brandl, Martin Kippenberger, Franz West), y Aspectos de la figura (Alex Katz, Katrin Plavcak, Muntean/Rosenblum, Jim Dine, Gottfried Helnwein, Maria Lassnig, Elke Krystufek ...

- The Los Angeles Opera's much-anticipated new production of Strauss's "Rosenkavalier" opened on Sunday night at the Dorothy Chandler Pavilion, and you can bet that the high-concept and boldly stylized sets and costumes by the designer and visual artist Gottfried Helnwein are going to provoke the strongest reactions.
Restraint was not a hallmark of the outlandishly captivating production. In a detailed program note, Helnwein writes that the era of Maria Theresa was a time when everything was theater, at least for the upper class, and that over-the-top fashion styles often included masks and white-face. His designs combine spartan sets with wildly extravagant costumes ranging in style from the surreal to the ridiculous. Act I is bathed in shades of blue. In their stiffly modern blue suits and blue-faced makeup, the Marschallin's notaries look like the members of Blue Man Group. In Act II, the mansion of Herr von Faninal, a wealthy commoner with aristocratic pretensions, glows with garish golden yellows. Faninal's servants could be creatures from "The Cabinet of Dr. Caligari," no doubt an intentional evocation: the production begins with projected scenes from Robert Wiene's 1926 silent film adaptation of "Der Rosenkavalier," and Wiene also directed "Caligari."
In any event, the cast seemed empowered by the production. ...

The thing you should know about this "Rosenkavalier" is that it is terrific. Richard Strauss' opera sounds great and looks sensational. It is excellently sung, sumptuously conducted by Kent Nagano and, thanks to Gottfried Helnwein, wondrously strange.
Helnwein — the Austrian artist (painter, photographer, performance artist, filmmaker) who has a studio in downtown L.A. — is known for everything from Marilyn Manson videos to Holocaust installations. He is responsible for the sets, costumes and that ad (which, by the way, looks like an image from a recent staging of a Schumann oratorio that Helnwein designed in Düsseldorf).
Helnwein's vision of "Rosenkavalier" is monochromatic and a riot of color. It is oddly traditional yet seriously odd. It is updated but couldn't be more 18th century. And none of those opposites contradicts. ...

Nun findet sich die Antwort auf die Frage nach dem Verbleib Gottfried Helnweins in massiven Schlagzeilen der “New York Times” und der “Los Angeles Times”. “Ein Aufstand der Farben, exzentrisch, anachronistisch, wundersam”, jubeln die Kalifornier. Die Kollegen von der Ostküste schreiben von “ausserirdischer Faszination und wilder Extravaganz”. Gottfried Helnwein hat an der von Placido Domingo geleiteten Oper von Los Angeles den “Rosenkavalier” von Richard Strauss ausgestattet. Maximilian Schell inszenierte, Kent Nagano dirigierte, und die Premiere zu Wochenbeginn geriet dem alten Fuchs Domingo zum Clou der amerikanischen Opernsaison. Schon in den Überschriften aber wird klargestellt, wer hier der Chef war: Gottfried Helnwein nämlich, geboren in Wien als Sohn eines Postbeamten, Konzeptkünstler, Fotograf, Filmer, unvergleichlich resistent gegen Katalogisierungen. ...

Gottfried Helnwein arouses creative tumult. - Los Angeles Times ...

STAGE DESIGN - Gottfried Helnwein
COSTUME DESIGN - Gottfried Helnwein
CONDUCTOR - Kent Nagano
DIRECTOR - Maximilian Schell ...

For the last several months, Downtown-based artist Gottfried Helnwein has switched back and forth between two realities. In his Arts District studio, he works on material to fill gallery and museum shows booked into 2008, all over the world.
Then he steps out into the sunlight, chats in several languages to several friends at a coffee shop on Traction Avenue, and walks to the Los Angeles Opera's costume shop on Alameda Street. Here, he oversees the costumes and sets for Der Rosenkavalier, which opens May 29 at the Dorothy Chandler Pavilion. ...

Eins zeigt ein Mädchen mit frechem Gesicht und Blindenband um den Arm, das die Zunge herausstreckt. Erst habe ich gelächelt. Wer den Blick länger verharren lässt, sieht, dass dem Mädchen Blut zwischen den Beinen herunterläuft. Es wurde ganz offensichtlich missbraucht, ihm wurde Gewalt angetan.... Ja, Kinder sind verletzbar. Kindheit kann grausam sein, wenn Kinder ausgeliefert sind. Ich denke an sexuellen Missbrauch, eine unglaublich Form von Folter an Menschen, die lebenslang an dem Trauma leiden werden. Ich denke an Kindersoldaten in Togo, im Kongo, im Sudan. Zerstörte Leben, brutal geopfert für idiotische Machtkämpfe, in denen Zerstörung das oberste Gebot ist, in denen es keine Ziele mehr gibt. Ich denke an Kinder in Indien, die schuften schon mit fünf Jahren um ein paar Münzen zu verdienen, damit ihre Familie überleben kann. Ich denke an die 12-jährigen Judith Wischnajatskaja, die im Juli 1942 in ihrem letzten Brief schrieb: “Lieber Vater! Vor dem Tod nehme ich Abschied von Dir. Wir möchten so gerne leben, doch man lässt uns nicht, wir werden umkommen. Ich habe solche Angst vor diesem Tod, denn die kleinen Kinder werden lebendig in die Grube geworfen.“ ...


	04. wrzesień 2005 Ludwig Museum Schloss Oberhausen Peter Pachnike Chief Curator BEAUTIFUL CHILDREN One man show ...


	02. wrzesień 2005 THEBOOK Los Angeles magazine Mia Taylor ARTIST GOTTFRIED HELNWEIN ISN'T IN KANSAS ANYMORE. Austrian born artist Gottfried Helnwein so often finds himself in the eye of the storm, it must feel like home. He is known for highly charged paintings and photographs of suffering children, Nazi themes, and then also magnificent bucolic landscapes. His fans outnumber his detractors, though, and he has won many admirers and collectors both in his adoptive home of Los Angeles, and around the world. Among them, California Governor, Arnold Schwarzenneger, actor Sean Penn, and musician Marilyn Manson, who is a frequent subject. He identifies strongly with the oppressed, and society's most vulnerable members: children. "When I see how kids grow up , how they are neglected and mistreated , how they get polluted with drugs, junk food, insane television and bad schools, it's terrible, - and dangerous, because they are our future. Children are sacred - we need to protect, support and encourage them." ...


	01. wrzesień 2005 Emerson College Boston Jenna Gonzalez CONSCIOUS RECOGNITION After further examining his work on my computer, I left . . . heart racing several beats faster, fingers tingling. Helnwein reminded me how to feel. It was like the first time I saw a Fellini film or slipped into Tom Ford attire. There was a sense of confidence instilled, a confidence in being human, the confidence to find power through mistake, the confidence to admit to cease yearning for perfection. Rather, redefining perfection to the state of recognizing my humanity, my possibility. ...


	01. wrzesień 2005 HELNWEIN COLLABORATES WITH MANSON ON FILM-PROJECT "PHANTASMAGORIA" PHANTASMAGORIA - The Visions Of Lewis Carroll ...


	25. sierpień 2005 AUTHOR WOLFGANG BAUER, CONSIDERED ONE OF AUSTRIA'S MOST IMPORTANT POSTWAR WRITERS, HAS DIED IN THE SOUTHERN CITY OF GRAZ. authorities said Saturday He was 64. The playwright died Friday after a long struggle with heart troubles. Bauer's 1968 theater piece "Magic Afternoon," is seen as a masterwork in contemporary Austrian drama. Among his numerous works were a novel and scripts for television and radio. Wolfgang Bauer: "...As long ago as 1963 a fellow-artist and I imagined the horrible future of a free-lance artist. The topic of our discussion was not so much finances as the necessity of letting go and totally abandoning oneself. At the time I had the idea of inventing something like a "fitness training of geniuses". In retrospect I must say that I know very few artists who have persevered in this imaginary training programme. Gottfried Helnwein is one of them." ...


	01. sierpień 2005 pcrc.hongik.ac.kr Korea 여기는 그냥 제가 사진 보고 끄적끄적 거리는 곳입니다. 거트프리드 헬른바인 GOTTFRIED HELNWEIN 심히 불편한 사진 도대체 이 사진 작가는 어떻게 접하게 되었을까나? 기억이 잘 안난다. 필시 한창 사진에 대해 끄적끄적일 때,무슨 책에서 본 것 같다. 그리고는 인터넷에서 뒤지다가 그의 공식 홈페이지에 가보게 된 것 일테고. 공식 홈페이지 또한 거기서 독일의 음산한 음악을 하는 밴드인 '램스타인'의 앨범 표지 사진을 이 사람이 한 사실을 알게 되었다. 바로 이 사진들이다. 흠..뭔가 섬뜩하지 않는가? 밴드 음악 성격이랑 딱 부합하는 그런 사진들이다. ...


	14. lipiec 2005 Museum of Modern Art - Ostende PMMK Curator Van den Bussche SOUL Group show ...


	24. czerwiec 2005 The Hollywood Reporter Madeleine Shaner HELNWEIN - INVENTIVENESS GONE WILD IN AN EXTREME REALIZATION OF RICHARD STRAUSS' OPERA, STUNNINGLY REINVENTED IN BRILLIANT LIVING COLOR. "Der Rosenkavalier" by Richard Strauss at the Los Angeles Opera What dominates, however, in a manner I've seldom seen is Helnwein's use of color -- the monochromatic blue of Act 1 even extends to skin color. Herr von Faninal's house is bathed in a rich golden sheen, from the orange glow of Ochs' silly wig to the platinum of the lovely Sophie's almost-there dress. The final act, in a cheap restaurant, is mainly a glaring red, again from Ochs' wig to his skin and the costumes of the huge band of players. The walls of the restaurant are, incidentally, lined with Helnwein's own works, mainly huge photo-realistic portraits of contemporary women. The 200 costumes Helnwein designed for the piece deserve a whole review for themselves this is inventiveness gone wild, a genius concept, and a huge addition to the production. There might be purists in disagreement here, but this would seem to be a "Rosenkavalier" for the ages. ...


	20. czerwiec 2005 Ludwig Museum Schloss Oberhausen Beautiful Children, Gottfried Helnwein Dr. Antje Vollmer Vice-Speaker of German Parliament "DASS KUNST SO MÄCHTIG IST, EINEN VORGANG, DEN SIE ZUM THEMA HAT, NOCHMALS HERVORZURUFEN..." Auszug aus der Rede zur Ausstellungseröffnung „Gottfried Helnwein - Beautiful Children“ im Ludwig Museum Schloss Oberhausen, am 19. Juni 2005 Motive wie diese schockieren in der Ausstellung "Beautiful Children". Sei es durch die drastische Darstellung des herrschenden und beherrschten Menschen, durch die Demontage herkömmlicher und gefälliger Bildwelten. "Oder liegt die Ursache für die schockhafte Reaktion nicht im Betrachter selbst?" fragte Dr. Antje Vollmer, Vizepräsidentin des Deutschen Bundestages, die anlässlich der Ausstellungseröffnung am 19. Juni im Schloss Oberhausen sprach. Doch sie war nicht ausschließlich als Politikerin ins Ruhrgebiet gekommen, sondern sprach auch als gute Freundin des Künstlers, den sie vor 20 Jahren kennenlernte. Und so gratulierte sie nicht nur den Ausstellungsmachern, Helnweins Werk in einer so umfangreichen Schau endlich wieder nach Deutschland geholt zu haben. Dr. Vollmer lobte auch das Politische im Schaffen Helnweins, das nicht durch große Reden sondern allein durch das Ausstellen seiner Bilder erzeugt wird. ...


	19. czerwiec 2005 Ludwig Museum Schloss Oberhausen Opening of the Helnwein exhibition Dirk Hein Westdeutsche Allgemeine Zeitung LIEBESERKLÄRUNG AN DIE KÜNSTE EINES FREUNDES Verstörend und doch mit Faszination: Seit gestern lockt die Ausstellung "Beautiful Children" von Gottfried Helnwein in die Ludwig-Galerie Schloss Oberhausen. Es klang wie eine Liebeserklärung an die Künste des Gottfried Helnweins, als Antje Vollmer, Vize-Präsidentin des Bundestages, bei der Eröffnung der Ausstellung "Beautiful Children" in der Ludwig-Galerie formulierte: "Es hat lange gedauert, dass er wieder in Deutschland zu sehen ist." Ein Ereignis, das bei der offiziellen Eröffnung am Sonntag den erwarteten Besucher-Ansturm erzeugte. Trotz brütender Hitze drängten sich Neugierige, Fans und Sympathisanten in einer viel zu kleinen Begrüßungshalle. Fernab der ersten Reihe, zwischen den stehenden Kunst-Anhängern, die den Kampf um die Sitzplätze verloren hatten, verweilte beinahe unbemerkt mancher Promi, wie Fernseh-Talkmaster Alfred Biolek. Ob als Neugieriger, Fan und Sympathisant: Biolek war gekommen, um Helnweins Werke zu sehen. ...


	30. sierpień 2005 THE CELEBRITARIAN CORPORATION ...


	18. czerwiec 2005 Los Angeles Times Scott Timberg Times Staff Writer GOTTFRIED HELNWEIN AROUSES CREATIVE TUMULT. Must everything be such an opera? "For me, art is a way to fight back against everything I've experienced: I wanted to respond, but I didn't know how to articulate it. But I could paint it. That medium opened all doors. Certain images can reach so deeply into people's souls. "And I feel also like a witness to my times - that's my duty, my responsibility." One role of art, he believes, is to "force people to look at things they would rather not look at," an impulse he sees in Goya and Shakespeare. ...


	31. maj 2005 Museo de Arte Moderno de México Luis-Martin Lozano Director del Museo de Arte Moderno de México ARTE CONTEMPORÁNEO AUSTRIACO Y PINTURA DE LA POSGUERRA: COLECCIÓN ESSL Parte de la importante colección Essl llega al Museo de Arte Moderno para exhibir piezas de 18 artistas austriacos y 12 artistas internacionales, en reciprocidad por la muestra Modernismo mexicano presentada en el museo privado Essl Kunstsammlung en Viena. El accionismo vienés (Günter Brus y Hermann Nitsch); Arnulf Rainer y Antoni Tápies; La pintura vive (Georg Baselitz, Markus Lüpertz, Siegfried Anzinger, Hubert Scheibl, Herbert Brandl, Martin Kippenberger, Franz West), y Aspectos de la figura (Alex Katz, Katrin Plavcak, Muntean/Rosenblum, Jim Dine, Gottfried Helnwein, Maria Lassnig, Elke Krystufek ...


	31. maj 2005 The New York Times Anthony Tommasini A 'ROSENKAVALIER' WITHOUT HAM AND SCHMALTZ? the high-concept and boldly stylized sets and costumes by the designer and visual artist Gottfried Helnwein will provoke the strongest reactions. - The Los Angeles Opera's much-anticipated new production of Strauss's "Rosenkavalier" opened on Sunday night at the Dorothy Chandler Pavilion, and you can bet that the high-concept and boldly stylized sets and costumes by the designer and visual artist Gottfried Helnwein are going to provoke the strongest reactions. Restraint was not a hallmark of the outlandishly captivating production. In a detailed program note, Helnwein writes that the era of Maria Theresa was a time when everything was theater, at least for the upper class, and that over-the-top fashion styles often included masks and white-face. His designs combine spartan sets with wildly extravagant costumes ranging in style from the surreal to the ridiculous. Act I is bathed in shades of blue. In their stiffly modern blue suits and blue-faced makeup, the Marschallin's notaries look like the members of Blue Man Group. In Act II, the mansion of Herr von Faninal, a wealthy commoner with aristocratic pretensions, glows with garish golden yellows. Faninal's servants could be creatures from "The Cabinet of Dr. Caligari," no doubt an intentional evocation: the production begins with projected scenes from Robert Wiene's 1926 silent film adaptation of "Der Rosenkavalier," and Wiene also directed "Caligari." In any event, the cast seemed empowered by the production. ...


	31. maj 2005 Los Angeles Times Mark Swed STRANGE BUT TRUE Gottfried Helnwein's wondrous staging of "Der Rosenkavalier" is eccentric and anachronistic — yet utterly faithful to its spirit. The thing you should know about this "Rosenkavalier" is that it is terrific. Richard Strauss' opera sounds great and looks sensational. It is excellently sung, sumptuously conducted by Kent Nagano and, thanks to Gottfried Helnwein, wondrously strange. Helnwein — the Austrian artist (painter, photographer, performance artist, filmmaker) who has a studio in downtown L.A. — is known for everything from Marilyn Manson videos to Holocaust installations. He is responsible for the sets, costumes and that ad (which, by the way, looks like an image from a recent staging of a Schumann oratorio that Helnwein designed in Düsseldorf). Helnwein's vision of "Rosenkavalier" is monochromatic and a riot of color. It is oddly traditional yet seriously odd. It is updated but couldn't be more 18th century. And none of those opposites contradicts. ...


	29. maj 2005 News Austria Evie Sullivan WILD WIE DIE KUNST Gottfried Helnwein. 20 Jahre nach dem Abgang aus Österreich mischt er L.A. auf – und kehrt mit einer Grossausstellung heim. Nun findet sich die Antwort auf die Frage nach dem Verbleib Gottfried Helnweins in massiven Schlagzeilen der “New York Times” und der “Los Angeles Times”. “Ein Aufstand der Farben, exzentrisch, anachronistisch, wundersam”, jubeln die Kalifornier. Die Kollegen von der Ostküste schreiben von “ausserirdischer Faszination und wilder Extravaganz”. Gottfried Helnwein hat an der von Placido Domingo geleiteten Oper von Los Angeles den “Rosenkavalier” von Richard Strauss ausgestattet. Maximilian Schell inszenierte, Kent Nagano dirigierte, und die Premiere zu Wochenbeginn geriet dem alten Fuchs Domingo zum Clou der amerikanischen Opernsaison. Schon in den Überschriften aber wird klargestellt, wer hier der Chef war: Gottfried Helnwein nämlich, geboren in Wien als Sohn eines Postbeamten, Konzeptkünstler, Fotograf, Filmer, unvergleichlich resistent gegen Katalogisierungen. ...


	29. maj 2005 Los Angeles Opera DER ROSENKAVALIER - REVIEWS, REACTIONS A visual triumph Gottfried Helnwein arouses creative tumult. - Los Angeles Times ...


	28. maj 2005 Los Angeles Opera 2004/2005 season DER ROSENKAVALIER - DIRECTOR MAXIMILIAN SCHELL COMBINES FORCES WITH VISIONARY ARTIST GOTTFRIED HELNWEIN. A new production of "Der Rosenkavalier" by Richard Strauss STAGE DESIGN - Gottfried Helnwein COSTUME DESIGN - Gottfried Helnwein CONDUCTOR - Kent Nagano DIRECTOR - Maximilian Schell ...


	26. maj 2005 LA Downtown News Kristin Friedrich CONTEMPORARY ART STAR GOES FOR BAROQUE Gottfried Helnwein brings his monochromatic technique to stage in the L.A. Opera's Der Rosenkavalier. For the last several months, Downtown-based artist Gottfried Helnwein has switched back and forth between two realities. In his Arts District studio, he works on material to fill gallery and museum shows booked into 2008, all over the world. Then he steps out into the sunlight, chats in several languages to several friends at a coffee shop on Traction Avenue, and walks to the Los Angeles Opera's costume shop on Alameda Street. Here, he oversees the costumes and sets for Der Rosenkavalier, which opens May 29 at the Dorothy Chandler Pavilion. ...


	25. maj 2005 30. Deutschen Evangelischen Kirchentag Predigt der Landesbischöfin im Eröffnungsgottesdienst Dr. Margot Käßmann Landesbischöfin IN EINER BEWEGENDEN AUSSTELLUNG IM WILHELM-BUSCH-MUSEUM IN HANNOVER SIND ZUR ZEIT BILDER DES ÖSTERREICHISCHEN KÜNSTLERS GOTTFRIED HELNWEIN ZU SEHEN. Eins zeigt ein Mädchen mit frechem Gesicht und Blindenband um den Arm, das die Zunge herausstreckt. Erst habe ich gelächelt. Wer den Blick länger verharren lässt, sieht, dass dem Mädchen Blut zwischen den Beinen herunterläuft. Es wurde ganz offensichtlich missbraucht, ihm wurde Gewalt angetan.... Ja, Kinder sind verletzbar. Kindheit kann grausam sein, wenn Kinder ausgeliefert sind. Ich denke an sexuellen Missbrauch, eine unglaublich Form von Folter an Menschen, die lebenslang an dem Trauma leiden werden. Ich denke an Kindersoldaten in Togo, im Kongo, im Sudan. Zerstörte Leben, brutal geopfert für idiotische Machtkämpfe, in denen Zerstörung das oberste Gebot ist, in denen es keine Ziele mehr gibt. Ich denke an Kinder in Indien, die schuften schon mit fünf Jahren um ein paar Münzen zu verdienen, damit ihre Familie überleben kann. Ich denke an die 12-jährigen Judith Wischnajatskaja, die im Juli 1942 in ihrem letzten Brief schrieb: “Lieber Vater! Vor dem Tod nehme ich Abschied von Dir. Wir möchten so gerne leben, doch man lässt uns nicht, wir werden umkommen. Ich habe solche Angst vor diesem Tod, denn die kleinen Kinder werden lebendig in die Grube geworfen.“ ...